$ 345 $ 525
The Micro-Bass is mahogany, with a built-in volume and tone control for the pickup, and even an on-board tuner. It is fretless with inlay strips where the frets would be playing fretless is easier than you might think because of the fret lines, and because its a bass. You have to pay some attention to your finger placement, but it is surprisingly easy to adapt to the fretless fingerboard, and the big bass kind of tone is worth it.
The Micro-Bass offers a comparable blend of craftsmanship, sound and value to the Strumstick (or else we wouldn't offer it!) and is a great solution for all those folks who have asked about Strumstick basses over the years.
"I have been using the GoldTone Micro-Bass for two years. My musician friends are consistently impressed with the full rich tone, and the Micro-Bass has been a welcome addition to many situations, from informal jams to polished performances. I'm really excited to be offering it on our website, it is a great musical complement to the Strumstick"
Bass is great! Any instrument ensemble sounds better with a bass involved, whether it is a bunch of guitars, a few Strumsticks, or a whole symphony orchestra. I am an "occasional bass player" pressed into duty playing bass in various bands and music gatherings. I have used full size and smaller electric basses, standup bass, and I have built and used acoustic bass guitars. We do not make a Strumstick bass, we have experimented and the virtues of the Strumstick and the needs of a bass instrument just don't fit together well.
In my musical travels, I came across a really cool bass made by some friends of mine, Goldtone Instruments, called the Micro-Bass. It uses thick synthetic "rubbery" strings, and a mini-guitar shaped body (about the size of the Baby Taylor or Little Martin). It is bigger than the Ukulele basses with these same kind of strings. Compared to Uke-Basses, the Micro-Bass has a bigger body and a more effective string length. Acoustically it is quiet, but loud enough to play with a couple guitars. Played with the built-in pickup, it sounds fabulous with a round, full tone with a lot of power, reminiscent of upright bass. Smooth with what I call a creamy texture.
I've used the Micro on stage, and in many informal jams, and I love the sound. So much that we are now offering the Micro-Bass on our website, for all those that wanted the minimalism of the Strumstick in a bass range. I think this is the way to go, and I have not used my regular electric bass or acoustic bass guitar since I started using the Micro-Bass.
Big Wave Strumsticks are IN STOCK
Big Wave Strumsticks are currently IN STOCK.
They require a 2-month lead time when we are out of stock.
• The neck is identical to the D-33 Strumstick.
• The wave-inspired body is one piece Padouk with either a Spruce or Koa soundboard.
• We are totally thrilled with the results; the tone is richer, fuller, and louder. The increased resonant chamber has allowed us to add a lower tuning too! There are two tuning arrangements available: our regular D A D (D-35 model), or a lower tuning A E A (A-35 model). The lower tuned AEA model has a brisk baritone flavor reminiscent of the Cittern/Irish Bouzouki.
• The design objectives were to create longer resonant paths within the body (for bass response) and to increase the soundboard area (for volume), but also stepping out a little with an elegant, festive body shape. The wave soundhole arrangement was designed to balance the resonance of the sound chamber and to enhance the visual design of the body.
• The Big Wave Strumstick uses ball end (guitar style) strings which feed through the body.
• Where the original Strumstick design uses a one piece neck and body approach, the Big Wave uses a two piece neck/body design, with a sturdy screw-in neck attachment.
To Use the Flip Capo:
There is a long arm and a short arm; either arm can be up (Flip!). We suggest longer arm up. Position top arm over strings (just behind fret) and tighten thumbscrew firmly but don't overdo it.
Strumstick Keys with Capo:
A capo is a device (familiar to guitar players) which clamps all the strings at a particular fret, changing their pitch. With guitar, the capo simply changes the key. With the Strumstick, the capo changes the key, but also changes the type of musical scale you get.
Without Capo, key of G Major
Capo at 1st fret gives key of A minor
Capo at 2nd fret gives a Bluesy scale in B
Capo 3rd fret gives C Major
Capo 4th fret gives D minor or D Major
Without Capo, key of D Major
Capo at 1st fret gives key of E minor
Capo at 2nd fret gives a Bluesy scale in F#
Capo 3rd fret gives G Major.
Capo 4th fret gives A minor or A Major
Why does the capo change the scale as well as the pitch? The Strumstick frets are designed to give a diatonic (major) scale. The scale is a pattern of whole steps and half steps. If you capo at the first fret, you raise all the strings (by a whole tone) but you also change the pattern of frets to a different scale. Each fret you place the capo at gives a different type of scale.
Tuning the Strumstick higher or lower will give even more keys.
Keep in mind that the extra fret (fret number 6, the flatted seventh) may please or annoy you, depending on which fret you are capoed at. If that fret does not sound good, skip it when playing.
We are now in production on our beautiful new Strumstick Display Stand. I started them last year and field tested them at a bunch of shows. They passed the public stress test (thousands of people, children, wind and shaking tables). They are sturdy and elegant and display the Strumstick as the art object it is. They hold the Strumstick ready for instant use and urgent musical inspirations!
A heavy Padouk base supports two light and rigid fiberglass rods, and a support yoke made from recycled Strumstick wood.